More than 20 years have passed since Soeharto left power, and many aspects of “Indonesian art” have changed, but as Alison Carroll writes, global curators’ ideas about what constitutes Indonesian art remain largely the same.

Following the fall of the New Order, Indonesian contemporary artists have enjoyed new artistic freedoms, as well as major commercial success. But Dr Wulan Dirgantoro writes that while the contemporary art boom has provided opportunities, it has also involved significant challenges.