More than 20 years have passed since Soeharto left power, and many aspects of “Indonesian art” have changed, but as Alison Carroll writes, global curators’ ideas about what constitutes Indonesian art remain largely the same.

Bali is home to a vibrant environmental movement involving collaboration between activists, artists and musicians. In Talking Indonesia this week, Dr Dirk Tomsa chats to Dr Edwin Jurriens about the main players and how they are using art and music to promote change.

Following the fall of the New Order, Indonesian contemporary artists have enjoyed new artistic freedoms, as well as major commercial success. But Dr Wulan Dirgantoro writes that while the contemporary art boom has provided opportunities, it has also involved significant challenges.

The past decade has seen huge interest in Indonesian art, but the country’s extensive collection of old and new art remains poorly cataloged. What are the challenges in recording Indonesian art history, and why is it needed? Dr Charlotte Setijadi speaks to Farah Wardani about these issues and more in the latest Talking Indonesia podcast.

It is often assumed that Indonesian visual artists began highlighting social and political issues in earnest following the end of authoritarianism in 1998. But to what extent is this assumption correct? In Talking Indonesia this week, Dr Ken Setiawan explores this issue and more with Dr Wulan Dirgantoro from Lasalle College of the Arts in Singapore.