Following the fall of the New Order, Indonesian contemporary artists have enjoyed new artistic freedoms, as well as major commercial success. But Dr Wulan Dirgantoro writes that while the contemporary art boom has provided opportunities, it has also involved significant challenges.

The past decade has seen huge interest in Indonesian art, but the country’s extensive collection of old and new art remains poorly cataloged. What are the challenges in recording Indonesian art history, and why is it needed? Dr Charlotte Setijadi speaks to Farah Wardani about these issues and more in the latest Talking Indonesia podcast.

It is often assumed that Indonesian visual artists began highlighting social and political issues in earnest following the end of authoritarianism in 1998. But to what extent is this assumption correct? In Talking Indonesia this week, Dr Ken Setiawan explores this issue and more with Dr Wulan Dirgantoro from Lasalle College of the Arts in Singapore.